Mary Roberts Rinehart

Mary Roberts Rinehart

Summary

Portrait of Mary Roberts Rinehart Mary Roberts Rinehart Love Stories — The Game (1919)

It was the Red Un's pleasure to assist unassumingly in the surveillance of that part of the ship where the great god, Steam, ruled an underworld of trimmers and oilers and stokers and assistant engineers—and even, with reservations, the Chief. The Red Un kept a sharp eye on the runs and read the Chief's log daily—so much coal in the bunkers; so much water in the wells; so many engine-room miles in twenty-four hours—which, of course, are not sea miles exactly, there being currents and winds, and God knows what, to waste steam on.
Source: Wikisource

Portrait of Mary Roberts Rinehart Mary Roberts Rinehart Love Stories — The Game (1919)

The Red Un's story, like all Gaul, is divided into three parts—his temptation, his fall and his redemption. All lives are so divided: a step back; a plunge; and then, in desperation and despair, a little climb up God's ladder.
Seven days the liner lay in New York—seven days of early autumn heat, of blistering decks, of drunken and deserting trimmers, of creaking gear and grime of coal-dust. The cabin which held the Red Un and the Purser's boy was breathless. On Sunday the four ship's boys went to Coney Island and lay in the surf half the afternoon.
Source: Wikisource

Portrait of Mary Roberts Rinehart Mary Roberts Rinehart Love Stories — The Game (1919)

There is no more struggle, but it is not yet death. The ship lay so. The upreaching sea had not conquered. The result was inevitable, but not yet. And in the pause the Red Un came back, came crawling down the ladder, his indomitable spirit driving his craven little body.
He had got as far as the boat and safety. The gripping devils of fear that had followed him up from the engine room still hung to his throat; but once on deck, with the silent men who were working against time and eternity, he found he could not do it.
Source: Wikisource

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