Mary Roberts Rinehart

Mary Roberts Rinehart

Summary

Portrait of Mary Roberts Rinehart Mary Roberts Rinehart,  The Breaking Point (Rinehart novel… (1922)

“ The Sunday morning following Clare Rossiter's sentimental confession, Elizabeth tried very hard to banish all worldly thoughts, as usual, and to see the kneeling, rising and sitting congregation as there for worship. But for the first time she wondered. Some of the faces were blank, as though behind the steady gaze the mind had wandered far afield, or slept. Some were intent, some even devout. But for the first time she began to feel that people in the mass might be cruel, too. ”
Source: Wikisource

Portrait of Mary Roberts Rinehart Mary Roberts Rinehart,  The Breaking Point (Rinehart novel… (1922)

“ Pretty with the beauty of youth, sensitive and thoughtful, infinitely loyal and capable of suffering and not otherwise extraordinary was Elizabeth Wheeler in her plain wooden chair. A figure suggestive of no drama and certainly of no tragedy, its attitude expectant and waiting, with that alternate hope and fear which is youth at twenty, when all of life lies ahead and every to-morrow may hold some great adventure.
Clare Rossiter walked home that night with Elizabeth.
”
Source: Wikisource

Portrait of Mary Roberts Rinehart Mary Roberts Rinehart,  The Breaking Point (Rinehart novel… (1922)

“ She saw herself unwillingly forced to peer into the sentimental windows of Clare's soul, and there to see Doctor Dick Livingstone, an unconscious occupant. But she had a certain fugitive sense of guilt, also. Formless as her dreams had been, vague and shy, they had nevertheless centered about some one who should be tall, like Dick Livingstone, and alternately grave, which was his professional manner, and gay, which was his manner when it turned out to be only a cold, and he could take a few minutes to be himself. ”
Source: Wikisource

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