Mary Roberts Rinehart

Mary Roberts Rinehart

Summary

Portrait of Mary Roberts Rinehart Mary Roberts Rinehart,  The Dancer at the Cabarin (1912)

“ With the flowers in her hand, Tilly danced, danced in her thin short skirt and her bare legs. But with Weininger glowering at her, showing his teeth, with the women in the loges sneering and the men disappointed and bored, to the sensuous Hungarian music Tilly danced again the virginal little dance of her early days at the Bal Tabarin, looking, as she did it, like cool spring come again in the midst of hot, voluptuous summer. ”
Source: Wikisource

Portrait of Mary Roberts Rinehart Mary Roberts Rinehart,  The Dancer at the Cabarin (1912)

“ Then he drew a chair close beside the bed, and sat looking at her, at her eyelids, blue-veined and black-lashed, at the purity of her mouth, the sweetness and character of her chin, at the swollen foot, lying on a pillow, with the fine scratches on the sole. And, with the intuition that comes to a man so surely because so seldom, Sullivan knew that the scratches were all of evil that Tilly had carried away from the Bal Tabarin. ”
Source: Wikisource

Portrait of Mary Roberts Rinehart Mary Roberts Rinehart,  The Dancer at the Cabarin (1912)

“ TO-NIGHT, on this Silvesterabend, Tilly's eyes, as she stared over the revelers, were somewhat clouded. For her contract at the Tabarin expired that night, and she had every reason to believe that it would not be renewed. And when one is making a conscientious effort to live on forty kronen a week and no extras, and has no one to cable to for money—or, for that matter, no money to cable—and has wasted one's substance in riotous living to the extent of a kronen or so every week, a kronen being twenty cents, losing one's job is serious enough. ”
Source: Wikisource

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