Mary Stewart Cutting

Mary Stewart Cutting

Summary

Portrait of Mary Stewart Cutting Mary Stewart Cutting Some of Us Are Married — Benson's Day (1920)

The path down which they walked slowly led over roots, briers, rocks, slippery dead leaves, and the tangled, sinuous underbrush of whiter, on which Mrs. Batsford-Wring's gown left little dabs of fur in spite of all Benson's assiduous efforts in her behalf.
Chickie's colouring did not seem so barbaric out of doors amid the general brownness and russet, the white gleam of the frozen inlet, and the brilliance of the sun—a crimson ball before its setting. She certainly had a nice way with one. She wanted to be kind; to please him.
Source: Wikisource

Portrait of Mary Stewart Cutting Mary Stewart Cutting Some of Us Are Married — Benson's Day (1920)

Paley's was seventy miles from town. In summer it was a charming place—all a green latticework of dining balconies overlooking the woodland and the inlet; but in the frozen whiter it had a somewhat chilly and meretricious air, like a lady in a low-necked muslin standing on the ice. The small room, however—empty as Benson had hoped it would be—was warm with crimson rugs and a leaping fire
Source: Wikisource

Portrait of Mary Stewart Cutting Mary Stewart Cutting Some of Us Are Married — Benson's Day (1920)

The car had slightly slackened its pace in avoiding a construction truck that took up all the road. Swift as lightning Cecelie's hand was on the catch of the door—in another instant Benson's arms were around her, dragging her back, while she fought him wildly. Then there was a moment's fierce and silent struggle until he held both her hands in his capable grip, and gently forced her down on the seat.
"Don't do that again!" he ordered sternly. "You little wildcat! Do you want to kill yourself?"
"You're not behaving like a gentleman!" she flared at him furiously.
Source: Wikisource

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