Summary

Portrait of Mary Stewart Cutting Mary Stewart Cutting Some of Us Are Married — Clytie Comes Back (1920)

CLYTIE COMES BACK IT WAS February, the before-dawn of the year, when vitality is at its lowest and the problems of existence seem as if they could never be solved; when even in the most loving households there are sagging times when there seems no real uplift obtainable, and that Heaven-sent, saving angel, a sense of humour, sits humped together on the doorstep with folded wings, unable to enter.
To-night, like the reverberation of a wheel after the impetus has been removed, the stress and habit of the long business day still clung to Joseph Langshaw in a certain tenseness of manner.
Source: Wikisource

Portrait of Mary Stewart Cutting Mary Stewart Cutting Some of Us Are Married — Clytie Comes Back (1920)

In all brave and healthful natures there is a natural ardour of travel. Anticipation of the unusual waved, even if but for the moment, its wizard wand. The Rockies loomed largely in the conversation at dinner, while George and Mary clamoured loudly to go, too. Clytie's eyes followed her husband as if light dwelt in his presence. She couldn't have told that the idea of being sent away from him made her feel foolishly frightened, like a child being pushed off into the dark. But of course you would forget all that when you saw the Rockies.
Source: Wikisource

Portrait of Mary Stewart Cutting Mary Stewart Cutting Some of Us Are Married — Clytie Comes Back (1920)

Langshaw controlled himself with an effort so great that it jarred him all over. The angel of the sense of humour ascended to the roof and perched there in a dejected heap. "If you keep on like this you'll make yourself ill, Clytie," he said firmly, though he didn't deny her the comfort of his dear hand as she sobbed on his shoulder over the bundled form of Baby, whose eyes in the midst of turmoil had closed. "What you need is a change—and money or rest; and in some way or another, by George, you've got to have it!"
Source: Wikisource

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