Matthew Phipps Shiel

Matthew Phipps Shiel

Summary

Portrait of Matthew Phipps Shiel Matthew Phipps Shiel The Pale Ape (1911)

It happened that one afternoon when Esmé and I were sitting listlessly in that solar-room gallery, an open grammar lying idle between us, suddenly behind us, there rose out of the floor, as it seemed, a young man who clapped his fingers over Esmé's eyes, smiling with me the while. "Cousin Huggins!" the child cried out—much surprised, for Huggins Lister was not expected at Hargen for some days yet. He caught her up in his big arms, and bussed her like a gun, for he was a being made all of ardours and horse-play: and then he looked into my eyes, and I looked into his eyes.
Source: Wikisource

Portrait of Matthew Phipps Shiel Matthew Phipps Shiel The Pale Ape (1911)

Wiseman during the day had revealed it to me in a flood of tears—that Sir Philip Lister's mother had too much listened to the chuckling cascade, and so had borne him the being he was—a being capable at any agitation of shedding his human nature to resume the nature of the brute, and hurling away human raiment with his human nature in the murderous turbulence of his nocturnal revels—he who in my eyes had been so perfect in gentleness, so shy, so staid!
Source: Wikisource

Portrait of Matthew Phipps Shiel Matthew Phipps Shiel The Pale Ape (1911)

Yesterday again I stood and looked at Hargen Hall from the lake; and it is this that has brought me to write of my life in it. Wintry winds were whistling through the withered bracken and the branches, whirling withered birch-leaves about the south quadrangle; and no birds sang.
When I first entered it I was a girl, one might say—gay enough; but now I have known what one never forgets; and the days and the hairs grow grey together.
Five titled names among my friends gained me an entrance to Hargen in the fall of the year '08.
Source: Wikisource

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