Summary

Portrait of Maurice Maeterlinck Maurice Maeterlinck Ruysbroeck and the Mystics: with selections from Ruysbroeck (1894)

And when he descends for a moment into the regions of similitudes, he touches only the most distant, the most subtle, and the most unknown; he loves, too, such things as mirrors, reflections, crystal, fountains, burning glasses, water-plants, precious stones, glowing iron, hunger, thirst, fire, fish, the stars, and everything that helps him to endow his ideas with visible forms—forms laid prostrate in the presence of love on these clear summits of the soul—and to give distinctness to those unheard-of truths which he calmly reveals.
Source: Gutenberg

Portrait of Maurice Maeterlinck Maurice Maeterlinck Ruysbroeck and the Mystics: with selections from Ruysbroeck (1894)

That union of natures is so green and so lovely and so joyful, that no other colour can equal it; and so in a holy vision it has filled and fed the eyes of such men as have prepared themselves to perceive it. Nothing is more lovely and more pleasant to the eye than the emerald when it has been cut and polished, and everything that it reflects may be recognised and seen as in a mirror. And so, if we examine in detail the divine being of Him who took our nature through His love for us, we must needs admire, and we cannot sufficiently praise its sublimity.
Source: Gutenberg

Portrait of Maurice Maeterlinck Maurice Maeterlinck Ruysbroeck and the Mystics: with selections from Ruysbroeck (1894)

And this overwhelming in love is always accompanied and followed by the free inward exercise of love. For love cannot be idle; it longs by knowledge and taste to enter into the immense riches which dwell in its inmost heart; and its hunger is inappeasable. To be always receiving in this powerlessness is to swim against the stream. We can neither leave nor take, do without nor receive, speak nor be silent, for it is above reason and intelligence, and higher than all created beings.
Source: Gutenberg

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