Max Pemberton

Max Pemberton

Summary

Portrait of Max Pemberton Max Pemberton Tales of the Thames — Marygold (1895)

MARYGOLD
WHEN I came round the bend which lies below Harts Wood Hill, it was plain to me that the Honourable Humphrey was not in his bed. Such a tow-row and a din I had not heard in Ye Daisy Belle these six months and more. Twenty carpenters these might well have been at work in the one cabin of that rotting old tub which was his home. No mock seaman upon a variety stage ever roared a more discordant song than the Honourable one then treated himself to. The aureola of light before his windows was worthy of a regatta.
Source: Wikisource

Portrait of Max Pemberton Max Pemberton Tales of the Thames — Marygold (1895)

But the chief ornament of the apartment was a sketch in crayons of the lady I had styled the "tow-haired girl in the fit-up company." It was the first complete thing of Humphrey Duncan's I had ever seen. All else had been genius in drink. But the art of this was not to be denied. It was plain to a layman like myself. A work to call exclamations from critics—a work in which soul was to be read, the whole soul of a man breathed out in beauteous thoughts of shape and colour.
Source: Wikisource

Portrait of Max Pemberton Max Pemberton Tales of the Thames — Marygold (1895)

As I sat upon the roof of my ship, I could see Ye Daisy Belle moored up there where the river bends towards the islands. Smoke rising from the tin chimney of the kitchen told me that Humphrey was still awake. I beheld him presently carrying pots of ferns to the roof, and busy in his endeavour to mend the tattered awning. The flimsy curtains with which he had decorated his saloon now streamed out straight in the breeze. The man himself had put on an old Merton coat and white flannels. I was glad to see his activity, and to remember that all the drink he had aboard was safe in my own gig.
Source: Wikisource

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