Max Pemberton

Max Pemberton

Summary

Portrait of Max Pemberton Max Pemberton The Cripple at the Mill (1895)

I raised my arms and, striking upward, I found myself in the mill-pool, with my own canoe not ten yards from my hand.
When I had strength enough to let my painter go—and an hour must have passed before such strength came to me—I paddled quickly to the main stream of the Loire, and fled the White Mill as a man flees a pestilence. Not a sign of the cripple or of the girl, Fifine, could I see. Even the cur no longer howled upon the heap of dirty straw. A suggestive stillness reigned in all the house. It were as if no human thing had entered it for centuries.
Source: Wikisource

Portrait of Max Pemberton Max Pemberton The Cripple at the Mill (1895)

Despair, fear of death, more than all fear of the tunnel, searched my very bones. Though I knew that I must, die, that many minutes could not pass before the filthy water choked me, nevertheless I clung to the wheel as though it were my only haven; clung to it while all around the current foamed, and the eddies swirled, and the air was damp with the spray; clung to it until, with a great crash and sound of tearing, it flung me from my hold, and I was sucked down into the pit with the river roaring in my ears and the darkness of the tunnel upon me.
Source: Wikisource

Portrait of Max Pemberton Max Pemberton The Cripple at the Mill (1895)

A dreamy sense, coming of weakness and the desire to sleep, crept over me. The scampering rats no longer set my brain burning. I was content to rest and wait for death. And in this new mood of my exhaustion I heard the trap above me open of a sudden, and the pit was lighted with a very blaze of light. I looked up and saw the cripple poised there upon his crutches, a flaming torch in his hand. For a minute he stood like some human vulture; his eyes outstanding, his face still bloody. Then he closed the trap with a snap, and I was alone with the darkness.
Source: Wikisource

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