Summary

Portrait of May Sinclair May Sinclair Anne Severn and the Fieldings

She had not dragged Jerrold down; she had raised him to his highest intensity of loving, she had brought him, out of the illusion of his life with Maisie, to reality and kept him there in an immaculate faithfulness. Not even for one insane moment did Anne admit that there was anything wrong or shameful in their passion itself. It was Maisie's innocence that made them liars, Maisie's goodness that put them in the wrong and brought shame on them, her truth that falsified them.
No woman less exquisite in goodness could have moved her to this incredible remorse.
Source: Gutenberg

Portrait of May Sinclair May Sinclair Anne Severn and the Fieldings

Anne's cat, Nicky, was there, the black Persian that Jerrold had given her last birthday. He sat in the middle of the path, on his haunches, his forelegs straight and stiff, planted together. His face had a look of sweet and solemn meditation.
"Oh Nicky, oh you darling!" she said.
When she stroked him he got up, arching his back and carrying his tail in a flourishing curve, like one side of a lyre; he rubbed against her ankles. A white butterfly flickered among the blue larkspurs; when Nicky saw it he danced on his hind legs, clapping his forepaws as he tried to catch it.
Source: Gutenberg

Portrait of May Sinclair May Sinclair Anne Severn and the Fieldings

Where Anne and Jerrold sat, green pastures, bitten smooth by the sheep, flowed down below them in long ridges like waves. On the right the bright canary coloured charlock brimmed the field. Its flat, vanilla and almond scent came to them.
"What's Yorkshire like?"
"Not a patch on this place. I can't think what there is about it that makes you feel so jolly happy."
"But you'd always be happy, Jerrold, anywhere."
"Not like that. I mean a queer, uncanny feeling that you sort of can't make out."
"I know. I know... There's nothing on earth that gets you like the smell of charlock."
Source: Gutenberg

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