May Sinclair

Biographical details

Portrait of May Sinclair May Sinclair,  The Divine Fire

“ Only a very young poet could have had the courage to charge it with such a weight of symbolism; but he had contrived to breathe into his symbols the breath of life; the phantoms of his brain, a shadowy Helen and Achilles, turned into flesh and blood under his hands. It was as if their bodies, warm, throbbing, full-formed, instinct with irresistible and violent life, had come crashing through the delicate fabric of his dream.
As she read Lucia's mind was troubled, shaken out of its critical serenity. She heard a new music; she felt herself in the grasp of a new power, a new spirit.
”
Source: Gutenberg

Portrait of May Sinclair May Sinclair,  The Helpmate

“ Her very body was changing into the beauty of her motherhood. The sweetness of her face, arrested in its hour of blossom, had unfolded and flowered again. Her mouth had lost its sad droop, and for Peggy there came many times laughter, and many times that lifting of the upper lip, the gleam of the white teeth, and the play of the little amber mole that Majendie loved and Anne was ashamed of.
She had become for her child that which she had been for her husband in her strange, immortal moments of surrender, a woman warmed and transfigured by a secret fire.
”
Source: Gutenberg

Portrait of May Sinclair May Sinclair,  The Three Sisters

“ And Mary's mouth, with its wide, turned back lips, had lost its subtlety, it had coarsened slightly and loosened, under her senses' continual content.
Gwenda brushed Mary's mouth lightly with the winged arch of her upper lip. Mary laughed.
"You don't know how to kiss," she said. "If you're going to treat Baby that way, and Molly too—"
Gwenda stooped over the soft red down of the baby's head. To Gwenda it was as if her heart kept her hands off Rowcliffe's children, as if her flesh shrank from their flesh while her lips brushed theirs in tenderness and repulsion.
”
Source: Gutenberg

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