May Sinclair

May Sinclair

Summary

Portrait of May Sinclair May Sinclair Audrey Craven

A premature engagement is the thing of all others to blast a man's career at the outset. What good was it, she asked herself passionately, for her to pinch and save, to put aside her own ambition, to do the journeyman's work that brings pay, instead of the artist's work that brings praise, if Ted was going to fling himself away on the first pretty face that took his fancy? Again the feeling of hatred to Audrey surged up in her heart, and again it died down at the first sight of its object.
Source: Gutenberg

Portrait of May Sinclair May Sinclair Audrey Craven

After that, Audrey took off her hat and settled herself comfortably among the cushions; she drew her white fingers through her hair till it stood up in a great red aureole round her head, and the sitting began.
Ted's heart gave a bound as he set to work. He had learnt by this time to control the trembling of his hands, otherwise the portrait would never have reached its present perfection. He had painted from many women in the life school, and always with the same emotions, the same reverence for womanhood, and the same delight in his own power, tempered by compassion for the model.
Source: Gutenberg

Portrait of May Sinclair May Sinclair Audrey Craven

Audrey looked offended. Death, like religion, is one of those subjects which it is very bad taste to mention under some circumstances.
Katherine went away more disheartened than ever, and more especially weighed down by the consciousness that she had made a fool of herself. She knew Audrey to be vain, she divined that she was selfish, but at least she had believed that she could be generous. By letting her feel that she held Ted's future in her hands, she had roused all her woman's vague cupidity and passion for power, and henceforth any appeal to her generosity would be worse than useless.
Source: Gutenberg

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