George Gissing

George Gissing

Summary

Portrait of George Gissing George Gissing The Crown of Life

Hannaford had told the truth; but first and foremost for Olga. On Olga he kept his thoughts. He was persuading himself that in her he saw his heart's desire.
For Piers Otway was one of those men who cannot live without a woman's image to worship. Irene Derwent being now veiled from him, he turned to another beautiful face, in whose eyes the familiar light of friendship seemed to be changing, softening. Ambition had misled him; not his to triumph on the heights of glorious passion; for him a humbler happiness a calmer love. Yet he would not have been Piers Otway had this mood contented him.
Source: Gutenberg

Portrait of George Gissing George Gissing The Crown of Life

Olga laughed merrily.
"Oh, you are too clever, Mr. Florio!"
"Oh, I have my little ideas. Do you know, I've just come back from Italy."
"I envy you—I mean, I envy you for having been there."
"Ah, that is your mistake, dear Miss Hannaford! That is the mistake of the romantic English young lady. Italy? Yes, there is a blue sky—not always. Yes, there are ruins that interest, if one is educated. And, there is misery, misery! Italy is a poor country, poor, poor, poor, poor." He intoned the words as if speaking his own language. "And poverty is the worst thing in the world.
Source: Gutenberg

Portrait of George Gissing George Gissing The Crown of Life

What is love, says the physiologist, but ravening sex? If so, in Piers Otway's breast the primal instinct had undergone strange transformation. How wrought?—he asked himself. To what destiny did it correspond, this winged love soaring into the infinite? This rapture of devotion, this utter humbling of self, this ardour of the poet soul singing a fellow-creature to the heaven of heavens—by what alchemy comes it forth from blood and tissue? Nature has no need of such lyric life her purpose is well achieved by humbler instrumentality. Romantic lovers are not the ancestry of noblest lines.
Source: Gutenberg

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