“ Oh, Irene! Irene! why have you locked that rigid cold face of yours against me? In the hallowed days of old you nestled your dear hands into mine, and pressed your curls against my cheek, and gave me comfort in your pure, warm, girlish [Pg 178] affection; how can you snatch your frozen fingers from mine now, as though my touch were contamination? Be yourself once more—give me one drop from the old overflowing fountain. I am a lonely man; and my proud, bitter heart hungers for one of your gentle words, one of your sweet, priceless smiles. Irene, look at me! ”
Irene
Definition and stakes
The literary concept of Irene embodies a multifaceted archetype, often symbolizing emotional depth, moral complexity, or transformative innocence. Across genres and eras, authors have explored her as a figure of longing, resilience, or idealized purity. Augusta J. Evans portrays Irene as a source of conflicted affection, her emotional weight anchoring narratives of love and loss. Théophile Gautier frames her as a tragic muse, caught between romantic idealism and existential sorrow, while L.
T. Meade presents her as a spirited girl defying social constraints. George MacDonald’s Irene, by contrast, radiates childlike wonder, harmonizing with nature’s simplicity. These varied depictions reveal Irene as a versatile symbol, reflecting human struggles with identity, desire, and moral choice. The theme’s enduring resonance lies in its capacity to mirror the paradoxes of the human heart.
Quotes about “Irene”
Théophile Gautier,
The Cross of Berny; Or, Irene's Lovers
“ It is a grace which he accords only to the elect. If, by a fatality not without precedent, Irene should have the strength and misfortune to survive me, to you, madame, do I confide her. Care for her, not with the hope of consoling her, but to banish all bitterness from her regrets. Picture my death to her, not as the expiation of the innocent whim of her youth, but as that of a happiness too great to go unchecked. Tell her that there are great joys as well as great sorrows, and that when they have outweighed the human measure of happiness, the heart which holds them must break and grow still. ”
L. T. Meade,
A Modern Tomboy: A Story for Girls
“ Irene—who never before in all her life had any creature to look up to her, who was looked down upon with terror and shunned by her fellow-creatures, with the exception of Rosamund, who ruled her, although with the weapons of love—felt an altogether new sensation now as the little creature, not so old as herself, clung to her confidently. ”
