Summary

Portrait of Arlo Bates Arlo Bates The Intoxicated Ghost, and other stories

She seized a hairpin from amid her locks, and thrust the point into the little opening. The panel started, moved slowly on a concealed hinge, and opened enough for her to insert her fingers and to push it back. A sort of closet lay revealed, and in it was a pile of cases, dusty, moth-eaten, and time-stained. She seized the first that came to hand, and opened it. There upon its bed of faded velvet blazed the “McHugh star,” superb in its beauty and a fortune in itself.
“Oh, my diamonds!” shrilled the ghost of Major McHugh. “Oh, what will our circle say!”
Source: Gutenberg

Portrait of Arlo Bates Arlo Bates The Intoxicated Ghost, and other stories

All the attraction which had drawn him to Alice was there, save for certain spiritual qualities, and added was a new charm which he felt keenly. He could not define to himself clearly, moreover, what right or ground he had for objecting to this form of the personality of his betrothed, to this potential Alice, who in certain ways moved him more than the Alice he had known so long. He had only a dogged instinct to guide him, an unescapable inner conviction that the normal consciousness of the girl had inalienable rights which manhood and honor called upon him to defend.
Source: Gutenberg

Portrait of Arlo Bates Arlo Bates The Intoxicated Ghost, and other stories

The confession was so frankly boyish that Claymore had a half-impulse to smile, but the feeling in it was too evidently genuine to be ignored. One thing at least was clear: Ralph was at last beginning to be dissatisfied with his idle, purposeless life. He had come to the enlightenment of seeing himself as he might look to the eyes of the woman he cared for. The reflection crossed Claymore’s mind that some disappointment in love might have brought about whatever change he had observed in his sitter, and that any influence which he had ascribed to the portrait had in reality come from this.
Source: Gutenberg

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