Summary

Portrait of Edith Wharton Edith Wharton Tales of Men and Ghosts — The Eyes (1914)

The boy was really intelligent, and the soundness of his nature was like the pure paste under a fine glaze. Culwin had fished him out of a thick fog of family dulness, and pulled him up to a peak in Darien; and the adventure hadn't hurt him a bit. Indeed, the skill with which Culwin had contrived to stimulate his curiosities without robbing them of their bloom of awe seemed to me a sufficient answer to Murchard's ogreish metaphor. There was nothing hectic in Frenham's efflorescence, and his old friend had not laid even a finger-tip on the sacred stupidities.
Source: Wikisource

Portrait of Edith Wharton Edith Wharton Tales of Men and Ghosts — The Eyes (1914)

Here, help yourself, my dear fellow. Here, Phil——” He turned back to the hearth.
Frenham still sat in his low chair, making no response to his host's hospitable summons. But as Culwin advanced toward him, their eyes met in a long look; after which, to my intense surprise, the young man, turning suddenly in his seat, flung his arms across the table, and dropped his face upon them.
Culwin, at the unexpected gesture, stopped short, a flush on his face.
“Phil—what the deuce? Why, have the eyes scared you? My dear boy—my dear fellow—I never had such a tribute to my literary ability, never!”
Source: Wikisource

Portrait of Edith Wharton Edith Wharton Tales of Men and Ghosts — The Eyes (1914)

That afternoon I left for Frascati, where I'd promised to spend the Sunday with some friends. I was glad to escape from Gilbert, and by the same token, as I learned that night, I had also escaped from the eyes. I dropped into the same lethargic sleep that had come to me before when their visitations ceased; and when I woke the next morning, in my peaceful painted room above the ilexes, I felt the utter weariness and deep relief that always followed on that repairing slumber.
Source: Wikisource

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