Mary Roberts Rinehart

Mary Roberts Rinehart

Summary

Portrait of Mary Roberts Rinehart Mary Roberts Rinehart Love Stories — God's Fool (1919)

The Dummy was God's fool. Having only a soul and no intelligence, he lived the life of the soul. Through his faded, childish old blue eyes he looked out on a world that hurried past him with, at best, a friendly touch on his shoulder. No man shook his hand in comradeship. No woman save the little old mother had ever caressed him. He lived alone in a world of his own fashioning, peopled by moving, noiseless figures and filled with dreams—noiseless because the Dummy had ears that heard not and lips that smiled at a kindness, but that did not speak.
Source: Wikisource

Portrait of Mary Roberts Rinehart Mary Roberts Rinehart Love Stories — God's Fool (1919)

Down in the courtyard the Dummy sat with the parrot on his knee. At his feet the superintendent's dog lay on his side and dreamed of battle. The Dummy's eyes lingered on the scar the Avenue Girl had bandaged—how long ago!
His eyes wandered to the window with the young John among the lilies. In the stable were still the ambulance horses that talked to him without words. And he had the parrot. If he thought at all it was that his Father was good and that, after all, he was not alone. The parrot edged along his knee and eyed him with saturnine affection.
Source: Wikisource

Portrait of Mary Roberts Rinehart Mary Roberts Rinehart Love Stories — God's Fool (1919)

In this world of his there was no uncharitableness—no sin. There was a God—why should he not know his Father?—there were brasses to clean and three meals a day; and there was chapel on Sunday, where one held a book—the Dummy held his upside down—and felt the vibration of the organ, and proudly watched the afternoon sunlight smiling on the polished metal of the chandelier and choir rail.
The Probationer sat turning the bandage machine and watching the Dummy, who was polishing the brass plates on the beds.
Source: Wikisource

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