Mary Roberts Rinehart

Mary Roberts Rinehart

Summary

Portrait of Mary Roberts Rinehart Mary Roberts Rinehart,  Love Stories — Twenty-Two (1919)

“ Shuffling and self-conscious mill-workers, walking on their toes; draggled women; a Chinese boy; a girl with a rouged face and a too confident manner. A hum of conversation hung over the long room. The sunlight came in and turned to glory, not only the tulips and the red tablecloth, but also the brass basins, the fireplace fender, and the Probationer's hair.
Twenty-two sat unnoticed in the doorway. A young girl, very lame, with a mandolin, had just entered the ward.
”
Source: Wikisource

Portrait of Mary Roberts Rinehart Mary Roberts Rinehart,  Love Stories — Twenty-Two (1919)

“ Doctor Willie had stayed over for the concert. He sat, beaming benevolently, in the front row, and toward the end he got up and told some stories. After all, it was Doctor Willie who was the real hit of the evening. The convalescents rocked with joy in their roller chairs. Crutches came down in loud applause. When he sat down he slipped a big hand over Jane Brown's and gave hers a hearty squeeze. ”
Source: Wikisource

Portrait of Mary Roberts Rinehart Mary Roberts Rinehart,  Love Stories — Twenty-Two (1919)

“ That night Mr. Middleton—but he was now officially "Twenty-two," by that system of metonymy which designates a hospital private patient by the number of his room—that night "Twenty-two" had rather a bad time, between his leg and his conscience. Both carried on disgracefully. His leg stabbed, and his conscience reminded him of Mabel, and that if one is going to lie, there should at least be a reason. To lie out of the whole cloth——! ”
Source: Wikisource

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