Aldous Huxley

Biographical details

Portrait of Aldous Huxley Aldous Huxley The Burning Wheel

Were I to die, you'd break your heart, you say.
Well, if it do but bend, I'm satisfied—
Bend and rebound—for hearts are temper-tried,
Mild steel, not hardened, with the spring and play
Of excellent tough swords. It's not that way
That you'll be perishing. But when I've died,
When snap! my light goes out, what will betide
You, if the heart-breaks give you leave to stay?
What will be left, I wonder, if you lose
All that you gave me? "All? A year or so
Out of a life," you say.
Source: Gutenberg

Portrait of Aldous Huxley Aldous Huxley Crome Yellow (1921)

His head was narrow, his face thin and rather long, his nose aquiline. In old age—though it was difficult to imagine Ivor old—he might grow to have an Iron Ducal grimness. But now, at twenty-six, it was not the structure of his face that impressed one; it was its expression. That was charming and vivacious, and his smile was an irradiation. He was forever moving, restlessly and rapidly, but with an engaging gracefulness. His frail and slender body seemed to be fed by a spring of inexhaustible energy.
“No, you’re not late.”
“You’re in time to answer a question,” said Mr. Scogan.
Source: Gutenberg

Portrait of Aldous Huxley Aldous Huxley Those barren leaves (1925)

Everything arises from a great primeval animal stupidity. That is the deepest of all realities—stupidity, the being unaware.
And the aware, the not stupid—they are the odd exceptions, they are irrelevant to the great reality, they are lies like the ideal of love, like dreams of the future, like belief in justice. To live among their works is to live in a world of bright falsehoods, apart from the real world, it is to escape. Escape is cowardly; to be comforted by what is untrue or what is irrelevant to the world in which we live is stupid.
Source: Gutenberg

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