Aldous Huxley

Aldous Huxley

Summary

Portrait of Aldous Huxley Aldous Huxley,  Mortal Coils

“ Mr. Hutton looked on in silence. The spectacle of Janet Spence evoked in him an unfailing curiosity. He was not romantic enough to imagine that every face masked an interior physiognomy of beauty or strangeness, that every woman's small talk was like a vapour hanging over mysterious gulfs. His wife, for example, and Doris; they were nothing more than what they seemed to be. But with Janet Spence it was somehow different. Here one could be sure that there was some kind of a queer face behind the Gioconda smile and the Roman eyebrows. ”
Source: Gutenberg

Portrait of Aldous Huxley Aldous Huxley,  Mortal Coils

“ Barbara turned her face away from the light and surreptitiously wiped her eyes. They might see and ask her why she had been crying. She hated Mrs. Topes for opening the shutters; at the inrush of the light something beautiful had flown, an emotion had vanished, irrecoverably. It was a sacrilege.
Mr. Buzzacott looked at his watch. "Too late, I fear, for a siesta now," he said. "Suppose we ring for an early tea."
"An endless succession of meals," said Mr. Topes, with a tremolo and a sigh. "That's what life seems to be—real life."
”
Source: Gutenberg

Portrait of Aldous Huxley Aldous Huxley,  Mortal Coils

“ Topes pointed, and Barbara, nodded and said, "Yes, yes," though she wasn't quite sure which cloud he meant. "It's like Night on the Medici tomb; all the power and passion are brooding inside it, pent up. And there, in that sweeping, gesticulating piece of vapour—you see the one I mean—there's a Bernini. All the passion's on the surface, expressed; the gesture's caught at its most violent. And that sleek, smug white fellow over there, that's a delicious absurd Canova." Mr. Topes chuckled.
"Why do you always talk about art?" said Barbara. "You bring these dead people into everything.
”
Source: Gutenberg

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