Gabriele D'Annunzio

Gabriele D'Annunzio

Summary

Portrait of Gabriele D'Annunzio Gabriele D'Annunzio Tales of My Native Town

Around Pescara is the level sea, the river and mountains and the broad campagnia, the vines, the wine vats and oil presses, the dwellings of mud and reeds; the plain is flooded with magnificent noon, and, at night, Turlendana, drunk, is mocked by the barking of vagrant dogs; the men linger under Violetta’s lighted windows, and the strains of her song run through all the salons, all the heads, of the town.... It is as far away as possible, and yet, in its truth, implied in every heart.
Source: Gutenberg

Portrait of Gabriele D'Annunzio Gabriele D'Annunzio Tales of My Native Town

Under the awning Francesca lit the fire and placed the fish upon it; the hospitable odour of the food spread the length of the harbour, blending with the perfume from the foliage of the Villa Onofria. The sea lay so tranquilly that one scarcely heard between the rocks the rustling of the water, and the air was so limpid that one saw the steeple of San Vito emerge in the distance amid the surrounding houses. Luca and the other men fell to singing, while Anna tried to help her mother. After the meal, as the moon mounted in the sky, the sailors prepared the skiff for weighing anchor.
Source: Gutenberg

Portrait of Gabriele D'Annunzio Gabriele D'Annunzio Tales of My Native Town

The trees in the May morning, immersed in their native perfume, swayed voluptuously between the serenity of the sky and that of the sea. The trunks wept resin. The blackbirds whistled. All the fountains of life seemed open for the transfiguration of the earth.
Anna sat down upon the grass, offered the monk bread and fruit, and began to talk about the festivity, eating at intervals. The turtle tried with its two foremost legs to reach the edge of the basket, and its timid serpent-like head projected and withdrew in its efforts.
Source: Gutenberg

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