Bernard Capes

Summary

Bernard Capes Historical vignettes, 2nd series (1912)

In the evening came the King himself, with his frowning eyes and grim jaw that, with the thick beard clipped close on it, looked like a bulldog’s. He was in a furious mood, his Queen having vexed him, and flashed and scintillated like a scaled devil in the light of the dozen torches he brought.
“How now,” he thundered, “thou rever’s doxy! Still obdurate?”
Her very heart shook; but she stood up to him bravely.
“Plunge thy knife into my breast, Sir King,” she said, “and with my last sigh I will praise thee.”
“What!” he snarled—“so much in love with Death?
Source: Gutenberg

Bernard Capes Historical vignettes, 2nd series (1912)

Better swift death than nameless torture. The poor slave drained the cup, and, casting it, with a scream, from her, dropped upon the pavement, a glittering, voluble shadow, writhing to its own reflection.
Antony had risen, the company with him—speechless all, breathing out the long minutes of the tragedy. It amounted to no more than this, that the child had been so young and lovely—and that now she was spoiled.
At the end, the Queen, scornful, magnificent, turned her burning eyes on her lover’s face. There was a look in its ruined strength which made her pause a moment.
Source: Gutenberg

Bernard Capes Historical vignettes, 2nd series (1912)

It was at the time when King father and Queen mother were gone, launched on the flood of that long disaster, and Elizabeth and her baby brother, the little Duke of Gloucester, had been left together in the great empty Palace of St. James’s under the guardianship of the Houses. It was a period of tense national emotion—the opening of the great Civil War. The two children, who figured more or less as hostages, were a source of perpetual anxiety and embarrassment to the revolted Commons, who could not forbear, nevertheless, imposing upon the twain their own loveless ruling.
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature