“ They went out into the loggia. She raised her face towards the stars and breathed the perfume of the summer night."You see how beautiful the night is!" said George, in a hoarse yet gentle voice."They are beating the flax," said Hippolyte, listening attentively to the continuous rhythm."Let us go down," said George. "Let us walk a little. Let us go as far as the olive-trees, yonder."He seemed to hang on Hippolyte's lips."No, no. Let us remain here. You see in what a state I am!""What does that matter? Who will see you? We shall not meet a living soul at this hour. Come as you are. ”
Summary
The Triumph of Death, an enigmatic novel attributed to an unnamed author, delves into the interplay of passion, decay, and existential despair through the intertwined lives of Hippolyte, George, Ysolde, Candia, and Demetrius.
Set against evocative natural and domestic backdrops, the narrative explores themes of anguish, sensuality, and the fragility of human connection, as characters grapple with mortality, unfulfilled desires, and the burden of inherited sorrow. The text’s lyrical prose and somber tone underscore its meditation on the fleeting nature of pleasure and the inescapable shadow of death, culminating in a fusion of beauty and desolation that defines its emotional core.
Quotes from The Triumph of Death ()
“ The beginning of old age in the voluptuary, the implacable work of vice and time, the vain and clumsy artifice to hide the senile grayness, the menace of a sudden death—all these sad, miserable, and tragic things of human life filled the son's heart with profound distress. An immense pity entered into his heart, even for his father. "Blame him? But he suffers, too. All this flesh, which inspires such a strong aversion in me, all this heavy mass of flesh, is inhabited by a soul. What anguish he may have felt, and what weariness! He certainly has a terrible fear of death." ”
“ The vast extent of the solitary country, the deserted and silent sky, the hallucinating reverberation of the fiery road, the immobility of the vegetable forms—all these environments rendered the hour tragic, evoked the biblical image of a road of desolation conducting to the gates of a cursed city."Let's go! Let's go back! Please, George, let's go back!" repeated Hippolyte, with a shudder of horror, dominated by the superstitious idea of a divine punishment, fearing other spectacles and more atrocious ones, under this burning and empty sky in which there began to be heard a metallic rumbling. ”
