Summary

Portrait of Aldous Huxley Aldous Huxley Little Mexican & Other Stories

Men born so hopelessly out of time that they could achieve little or nothing of value. Beethoven born in Greece, I thought, would have had to be content to play thin melodies on the flute or lyre; in those intellectual surroundings it would hardly have been possible for him to imagine the nature of harmony.
From drawing trains, the children in the garden below had gone on to playing trains. They were trotting round and round; with blown round cheeks and pouting mouth, like the cherubic symbol of a wind, Robin puff-puffed, and Guido, holding the skirt of his smock, shuffled behind him, tooting.
Source: Gutenberg

Portrait of Aldous Huxley Aldous Huxley Little Mexican & Other Stories

Through the oppression of his fever, Alphonse smiled at my Uncle Spencer with a look almost of triumph. That night he was delirious and began to rave in a language my Uncle Spencer could not understand.
My Uncle Spencer listened in the darkness to the Dravidian’s incomprehensible chattering; and all at once, with a shudder, with a sense of terror he felt—in the presence of this man of another race, speaking in an unknown tongue words uttered out of obscure depths for [133] no man’s hearing and which even his own soul did not hear or understand—he felt unutterably alone.
Source: Gutenberg

Portrait of Aldous Huxley Aldous Huxley Little Mexican & Other Stories

UNCLE SPENCER SOME people I know can look back over the long series of their childish holidays and see in their memory always a different landscape—chalk downs or Swiss mountains; a blue and sunny sea or the grey, ever-troubled fringe of the ocean; heathery moors under the cloud with far away a patch of sunlight on the hills, golden as happiness and, like happiness, remote, precarious, impermanent, or the untroubled waters of Como, the cypresses and the Easter roses.
Source: Gutenberg

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