Ivor

Definition and stakes

Portrait of Aldous Huxley Aldous Huxley,  Crome Yellow (1921)

“ Ivor's vocabulary was rich, but a little erratic. "I'm not late for dinner, am I?" He hoisted himself up on to the balustrade, and sat there, kicking his heels. With one arm he embraced a large stone flower-pot, leaning his head sideways against its hard and lichenous flanks in an attitude of trustful affection. He had brown, wavy hair, and his eyes were of a very brilliant, pale, improbable blue. His head was narrow, his face thin and rather long, his nose aquiline. In old age-- though it was difficult to imagine Ivor old--he might grow to have an Iron Ducal grimness. ”
Source: Wikisource

Portrait of Michael Arlen Michael Arlen,  "Piracy" (1924)

“ He was so sure, he didn’t know why nor how, that “that kind of woman” could arouse a deep emotion without that aftermath of impurity which—even at three-and-twenty—taints so many of the fine passages of an adventurous life. And so Ivor longed for her, and guess-work made strange and lovely arabesques on a background of enchantment.
More than two weeks passed, and still he did not telephone to Mrs. Gray. He had made a brave show of determination when with her, but since then his mind had made her of fine texture, and its fineness appalled him.
”
Source: Gutenberg

Portrait of Michael Arlen Michael Arlen,  "Piracy" (1924)

“ Ivor never could loiter: not even on a fine morning in Berkshire; and even in his pacings up and down he would sometimes go at a furious rate and find himself perspiring—about nothing at all! Ivor didn’t, couldn’t, notice the country when there was anything on his mind: it was an inability, like that of those tiresome people who can not appreciate poetry unless it’s read to them by some one they like. A mountain would have to be an enormous mountain before Ivor, with anything on his mind, could become aware of it; and even then he would be more aware of it if there was a man on top of it. ”
Source: Gutenberg

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