Maxwell Gray

Maxwell Gray

Summary

Portrait of Maxwell Gray Maxwell Gray The suspicions of Ermengarde (1908)

Agatha laid down her toy bellows as if to enjoy the visionary relationship, laughing quietly to herself. "Miss Boundrish! But an Ivor who knew me! What on earth has that girl been romancing about me?"
Ermengarde studied the leaves in the bottom of her cup, and smiled sadly over human infirmity. The pot is always calling the kettle, and not only the kettle, but even the silver tea-pot—black.
"What a dangerous girl," continued Agatha. "In a house like this, too. And how very unlucky that she saw you at tea with M. Isidore yesterday."
Source: Gutenberg

Portrait of Maxwell Gray Maxwell Gray The suspicions of Ermengarde (1908)

Ermengarde said to herself with melancholy triumph, from her downy nest in the deep warm Chesterfield by the fire, "the haunting horror of unpaid bills. 'Haunting horror' is good. And it's not so much the unpaidness of the bills as the size of them—and the kind of them. The butcher's bill, for instance—how enormous—and yet Arthur takes it as coolly as the collection in church, or the waiter's tip, that just means a finger slipped into a waistcoat pocket and out again, without even looking. When one thinks of the lovely things one might buy with the butcher's quarterly bill and can't!"
Source: Gutenberg

Portrait of Maxwell Gray Maxwell Gray The suspicions of Ermengarde (1908)

There was a look never seen before in Ivor's face, and a soft gladness unknown in Agatha's; both faces were in clear sunlight outlined upon a rock-wall overhung by the quaint, goblin-handed boughs of prickly pear.
"Aggie," he cried, "dear, dearest Aggie, I was a beast yesterday. I was a beast! You were right. All you said was true. I had no right to ask such things of you—no man has of any woman. Yet you had saved me, you had picked me out of the gutter all the time. No, it's no use saying anything. I saw the necklace and guessed. The beast sold it to Strozzi—and made upon it, trust him!
Source: Gutenberg

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