John Galsworthy

John Galsworthy

Jocelyn (1898)

Summary

Portrait of John Galsworthy John Galsworthy Jocelyn (1898)

Legard!” The man turned.
“Ah!” he said, “Good-night!”
His face was momentarily in the full glare of the café lights; the hat was slouched over it, but the line of his moustache was visible, black against the lower part. The movement of turning had seemed mechanical, the words sounded leaden. In another moment he was gone, walking faster than before, his shoulders hunched up to his ears in a way that suggested pain, and his hands thrust suddenly deep into his pockets as if to keep them still.
Nielsen stood looking after him.
“When a man talks to himself aloud, it is bad!” he said to himself.
Source: Gutenberg

Portrait of John Galsworthy John Galsworthy Jocelyn (1898)

Nielsen said nothing, but stood and looked at the picture too.
He had never seen it before. The tragedy in it arrested him—the measureless tragedy of that man and woman whirled through space in the resistless rush of a linked unrest—the unspeakable, compassionate anguish on the man’s lips, the undying love in his shadowed eyes, the suffering, and the eternal, wistful faith of the woman’s face. If ever the truth of life has been revealed in art, surely it is in that picture. There, is all the joy of life, and all its suffering, endless motion, and triumphant love.
Source: Gutenberg

Portrait of John Galsworthy John Galsworthy Jocelyn (1898)

As she stood talking to the pony, with her arms round its neck, her cheek laid against its mane, and her eyes soft under their long lashes, Giles felt an uncontrollable rush of longing to be near her, to touch her, and share in the tenderness of her voice and her face. He came close, and laid his hand partly over hers upon the pony’s head. She drew it away quickly with a look of positive fright, and the colour rushed furiously into her face. He looked at her silently, and he could not keep the pain and hunger out of his eyes. She went on mechanically stroking the pony’s neck.
Source: Gutenberg

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