“ It was almost mechanical labour, and for that Flossie had more than a taste, she had a positive genius. It was mechanical labour idealized and reduced to a fine art, an art in which the personality of the artist counted. The work displayed to perfection the prettiness of Flossie's hands, from the rapid play of her fingers in sifting, and their little fluttering, hovering movements in arranging, to the exquisitely soft touches of the palms when she gathered all her sheaves of notes into one sheaf, shaking, caressing, coaxing the rough edges into line. ”
Flossie
Definition and stakes
Flossie, a 1974 Swedish film directed by Mac Ahlberg, delves into themes of romance and sensuality through the experiences of its namesake protagonist. In literature, Flossie emerges as a multidimensional character, portrayed by writers such as May Sinclair, who underscores her technical accuracy and emotional richness, and Laura Lee Hope, who depicts her as a lively, youthful figure in tales such as The Bobbsey Twins.
These differing representations emphasize Flossie’s dual nature—both an emblem of purity and a nuanced individual confronting personal and societal obstacles.
Quotes about “Flossie”
Laura Lee Hope, The Bobbsey Twins at the County Fair
“ I like a balloon, don't you, Flossie?"Flossie thought it over for a moment. Now that the first fright was passed she rather enjoyed the quiet, easy motion. For there were no bumps as in an automobile, and there was no swaying as on the merry-go-round. It was like flying with the birds, and Flossie had always wanted to be a bird."It is—yes, I guess it is nice," she said. "Are we high up?""Not very," Freddie answered. "Don't look over the edge or you might fall out of the basket," he told his sister, as he saw her getting ready to stand on her tiptoes and peer down. ”
“ But you will, Flossie?"As he drew her to him a second time the old terror woke in his heart; but only for a moment. For this time Flossie kissed him of her own accord, with a kiss, not passionate like his own, but sweet and fugitive. It was like a reminder of the transience of the thing he sought, a challenge rousing him to assert its immortality.He put her from him, and stooped over his own outstretched arms and clasped hands; staring stupidly at the floor. When he spoke again it was hardly, incisively, as a man speaks the truth he hates. "Do you know what this means? It means waiting." ”
