Lewis R. Freeman

Biographical details

Lewis R. Freeman,  Down the Columbia

“ It was tremendous music—heavy, air-quivering, earth-shaking; more the diapason of a great cataract than an ordinary rapid, it seemed to me. I was right. Surprise is anything but an ordinary rapid.
We pulled for a half hour or more down a broad stretch of slackening water that was more like a lake than a river. Out of the looming shadows of the banks for a space, mountain heights that had been cut off leaped boldly into view, and to left and right lifted a lofty sky-line notched with snowy peaks rising from corrugated fields of bottle-green glacier ice.
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Source: Gutenberg

Lewis R. Freeman,  In the Track of the Trades

“ The siva is natural because it expresses things that are natural. The heave of the sea, the rush of the surf, the rocking of a canoe, the swaying of the trees, the ripple of a stream, the movements of swimming and paddling and the ecstasies of love, all of which are reflected in the siva, are things of the dancers' daily life. The gyrations of the première danseuse on the tips of her toes suggests nothing of heaven or earth, but because the Samoan has taken his inspiration from himself and his surroundings, his dances are beautiful and normal. And as the dance, so the dancer. ”
Source: Gutenberg

Lewis R. Freeman,  Down the Yellowstone

“ Lesser mortals never quite get over catching their breath at the more than earthly wonder of it. I have never seen any one save a present-day flapper gaze for the first time on the sombre depths of the great gorge of the Colorado with untroubled eyes.
The Grand Canyon of the Yellowstone is not like that—it exhilarates like a glass of old wine, a fresh sea breeze, a master-piece of painting. There are no darksome depths to awaken doubt. You can see right to the bottom of the gorge from almost any vantage point you choose.
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Source: Gutenberg

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