“ Twice or thrice, watching with my glasses after I had been awakened by distant bomb explosions or gun-fire, I had seen a shell-pocketed airship draw back, as a yellow dog refuses the challenge that his intrusion has provoked, and glide off into the darkness of some safer area. “Would they try it again?” was the question Londoners asked themselves as the dark of the moon came round each month, and, except for the comparatively few who had had personal experience of the terror and death that follow the swath of an air-raider, most of them seemed rather anxious to have the matter put to the test. ”
Lewis R. Freeman
Summary
Lewis R. Freeman’s Many Fronts is a novel depicting the multifaceted horrors and resilience of warfare, primarily set on the Italian Front during World War I. Through vivid accounts of Zeppelin raids, trench battles, and Alpine skirmishes involving the Alpini, Freeman explores themes of technological terror (bombs, searchlights, teleferica), human endurance, and the paradox of solidarity amid destruction.
The narrative follows soldiers like the defiant Alpino and officers such as Radovitch, capturing both the visceral chaos of combat and the quiet resistance of those opposing dehumanizing forces. Freeman’s work synthesizes the clash between modern warfare’s mechanized brutality and the unyielding spirit of those confronting it.
Quotes from Many Fronts (Lewis R. Freeman)
“ To Londoners, a Zeppelin raid appears to be a good deal like the paradoxical “man-sitting-on-the-pin” joke—it is funniest to those who miss the point. To the ones in the swath of the raid, like the one who sits on the pin, it is anything but a laughing matter. “But the swath of the raid is so narrow, London so broad; the killed so few, Londoners so many. If this is the worst the Huns can do, on with ‘Business as Usual!’” There is no denying that this epitomises the spirit of London—even as it mourns its dead—on the morrow of the first great air raid of history. ”
“ It is not song as the German knows it, not the ponderous marching chorus that the Prussian Guard thunders to order in the same way that it thumps through its goose-step; but rather a simple burst of song that is as natural and spontaneous as the soaring lark’s greeting to the rising sun.Discipline of any kind is more or less irksome to the high-spirited Alpino, but he manages to struggle along under it with tolerable goodwill so long as it is plain to him that the military exigencies really demand it. But the one thing that he really chafes under is the prohibition to sing. ”
