“ El Matador himself had warned me, ‘Let no man pass!’ But when I had picked myself out of the corner and followed in, there he stood in front of Valles, who had dropped the girl and leaped to his feet. Surprise and fear showed on his face—the fear of bullet, knife, and poison that dogs him everywhere. ”
Matador
Definition and stakes
The matador, central to bullfighting, is the skilled performer responsible for ending the bull's life, embodying both artistry and physical prowess. Historically, their role shifted from subordinate to dominant, with figures like Juan Belmonte reshaping the practice. Authors such as William Henry Bishop lauded the matador’s deadly accuracy as a "work of art," while Alfred Oscar Coffin emphasized the intense strain and potential for despair.
Hemingway’s fictional works and documentaries like Afternoons of Solitude highlight the matador’s cultural and symbolic significance, merging danger, spectacle, and tradition. This combination portrays the matador as a figure intertwined with both the raw excitement of combat and the refined beauty of performance.
Quotes about “matador”
William Henry Bishop, Mexico, California and Arizona (1900)
“ The killing is a work of art; it must not be done in any vulgar way. The matador flaunts his red cloak, invites the bull near it, holds it out to him draped on a stick, spreads it and draws it along on the ground with both hands, like a clerk exhibiting to a patron some new thing in ornamental fabrics. The grim animal, raging with the memory of all his wrongs, his disappointment, his wounds, accepts the invitation. Then the keen rapier flashes like lightning and seeks a vital part. Fatal simplicity, fatal ignorance! Surely there are morals in plenty to be drawn from a bull-fight. ”
Alfred Oscar Coffin,
Land without chimneys; or, the byways of Mexico
(1898)
“ Sometimes the sword misses the heart, and the bull walks off with a stream of blood and an ugly sword wound, and then the hisses and remarks that fall upon the matador sometimes drive him to suicide. I saw a matador driven to desperation by the hisses, and seizing another sword he made the stroke just behind the ear, severing the medulla oblongata, a more difficult stroke than the other, thereby redeeming himself. Sometimes a bull with wide stretch of horns will disconcert a matador and he will attempt to retreat at the last moment, but then it is as often death as escape. ”
