Lewis R. Freeman

Summary

Lewis R. Freeman,  In the Track of the Trades

“ The siva is natural because it expresses things that are natural. The heave of the sea, the rush of the surf, the rocking of a canoe, the swaying of the trees, the ripple of a stream, the movements of swimming and paddling and the ecstasies of love, all of which are reflected in the siva, are things of the dancers' daily life. The gyrations of the première danseuse on the tips of her toes suggests nothing of heaven or earth, but because the Samoan has taken his inspiration from himself and his surroundings, his dances are beautiful and normal. And as the dance, so the dancer. ”
Source: Gutenberg

Lewis R. Freeman,  In the Track of the Trades

“ There is abandon at times—reeling, rollicking, riotous abandon—but the motion of it flows and undulates and ripples in fluent rhythm like the current of a swift but unbroken river rapid. Who has not seen the siva has not realized the full meaning of the expressions "Poetry of Motion" and "Enchantment of Gesture." The grace of it is so complete, so perfect, so satisfying, that one cannot but feel that the Samoan, having failed to develop the arts of painting and sculpture, has concentrated all of his being in expressing his soul through his body. ”
Source: Gutenberg

Lewis R. Freeman,  In the Track of the Trades

“ The two dominant sounds of island life, the boom of the breakers and the hum of the wind in the trees, may be traced through all of the native music, and, through improvisation, in much that one hears in the churches. The sonorous chesty notes of the men's lower registers echo faithfully the thunder of the sea upon the reef, and a high, closed-mouth humming of the women is admirably imitative of the rise and fall of the wind, the rubbing of branches and the lisp of split palm fronds. ”
Source: Gutenberg

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