Beatrice Grimshaw

Beatrice Grimshaw

Summary

Portrait of Beatrice Grimshaw Beatrice Grimshaw In the Strange South Seas

Later, when the dusk is coming down, and the magic moon of the islands is creeping, big and round and yellow-gold, out of a purple sea, we drive home again through the scented gloom of the forest, the endless song of the reef accompanying the voices of the native women, as they chant strange island melodies of long ago, that no one in these days, not even the singers themselves, can fully translate or understand. The moon climbs quickly up as we drive, and the road is as light as day, when our wheels roll into the sleeping town.
Source: Gutenberg

Portrait of Beatrice Grimshaw Beatrice Grimshaw In the Strange South Seas

I am afraid that I deserved the worst that scientifically minded travellers could say of me, in Tonga, for I merely spent the time enjoying myself after the pleasant island fashion, and not in research or geographical note-taking, even so far as was possible. Yet, after all, what are the islands, if not a Garden of Indolence, a lotus-land, a place where one dreams, and wanders, and listens to the murmuring reef-song, and sleeps under the shade of a palm, and wakes but to dream again? Does one degenerate, in such a life?
Source: Gutenberg

Portrait of Beatrice Grimshaw Beatrice Grimshaw In the Strange South Seas

If it is a woman’s grave, you may even see her little hand sewing-machine (almost every island in the Pacific possesses scores of these) placed on the tomb, to amuse the ghost in its leisure hours. There will be a bottle of cocoanut hair-oil, too, scented with “tieré” flowers, and perhaps a little looking-glass or comb—so that we can picture the spirit of the dark-eyed island girls, like mermaids, coming forth at night to sit in the moonlight and dress their glossy hair—if ghosts indeed have hair like mortal girls!
Source: Gutenberg

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