Summary

James Norman Hall Faery Lands of the South Seas

He goes into the pail with a clang—you can hear his feet scratching vainly at the smooth sides. There were not many about on this stretch of beach; they are uncertain in their habits and seem to be great wanderers. Here is the track of a monster, broad and corrugated like the trail of a miniature Whippet Tank; the spoor leads to the lagoon—no signs of him at the water's edge—he has doubled back. Lift up that rotten coconut frond ... an unga, black, hairy, armed with a vicious pair of claws; you can hear him raging in the pail, a noise halfway between a whine and a growl—a crab with a voice!
Source: Gutenberg

James Norman Hall Faery Lands of the South Seas

There is no color in the world—that I have seen—like the blue of the water off the Ahu Ahu reef; so vivid, so intense, one felt that a tumbler of it, held up to the sun, would be a mass of sapphire, or that a handkerchief dipped in it would emerge strongly dyed.
Apakura was going ashore with her mother. Standing in the narrow canoe, she directed the stowing of her luggage—a mat, a bright patchwork quilt, a box of cedar wood. Tari was awaiting the coming of the traders, for the schooner was stocked with good Tahiti rum, and the rites of welcome would take place on board.
Source: Gutenberg

James Norman Hall Faery Lands of the South Seas

In most of the atolls the distance from beach to beach is only a few hundred yards, but the ocean side is unfrequented and solitary. On calm days when the tide begins to ebb the silence there is unearthly. The wide shore, hot and glaring in the sun, stretches away as far as the eye can reach, empty of life except for thousands of small hermit crabs moving into the shade of the palms. They snap into their shells at your approach and make fast the door as their houses fall, with a sound like the tinkling of hailstones, among heaps of broken coral. We waded along the shallows at low tide.
Source: Gutenberg

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