Beatrice Grimshaw

Biographical details

Portrait of Beatrice Grimshaw Beatrice Grimshaw,  In the Strange South Seas

“ Later, when the dusk is coming down, and the magic moon of the islands is creeping, big and round and yellow-gold, out of a purple sea, we drive home again through the scented gloom of the forest, the endless song of the reef accompanying the voices of the native women, as they chant strange island melodies of long ago, that no one in these days, not even the singers themselves, can fully translate or understand. The moon climbs quickly up as we drive, and the road is as light as day, when our wheels roll into the sleeping town. ”
Source: Gutenberg

Portrait of Beatrice Grimshaw Beatrice Grimshaw,  The Secret of the Stone-Oven Country (1914)

“ We were both pretty tired, with short sleep, short food, and hard work, but neither of us was anything like done, and I, for one, felt almost brisk when the fresh wind of sunrise sprang up, blowing the ferns and orchids about on the edge of the precipice and sending the spray of the great waterfall flying out into the sun. The Marquis was sleeping just then. I did not wake him, but got up to reconnoiter; this sunrise hour is the clearest of all the day, and one can see the distant peaks and ranges that are invisible once the eight o'clock clouds begin. ”
Source: Wikisource

Portrait of Beatrice Grimshaw Beatrice Grimshaw,  In the Strange South Seas

“ The myths of the Pacific are marvellous in their way, but they pass over unnoticed much that could not have escaped the net of folk-lore and poetry in Northern lands. That the lovely ironwood, a tree with leaves like mermaid’s locks, and the voice of a mermaid’s song in its whispering boughs, should stand bare of legend or romance on the shores of a sea that is itself the very home of wonder, strikes the Northern mind with a sense of strange incongruity. But the soul of the islands is not the soul of the continents, and the poet of the Pacific is still to be born. ”
Source: Gutenberg

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