Beatrice Grimshaw

Beatrice Grimshaw

Summary

Portrait of Beatrice Grimshaw Beatrice Grimshaw The Secret of the Stone-Oven Country (1914)

Kara Bay is the sort of place a man might go to die in, if he felt like it, but it is not the sort of place any one would ever want to live in. As a matter of fact, no one ever has lived there.
The bay is like a black-lip shell, in curve and in color. The sand is like powdered cinder to look at, and as hot as the innocent-looking iron door of a furnace to feel. Behind comes a belt of poisonous painty-green low bush; behind that again, forest, so dark and tangled that it shows black even at midday.
Source: Wikisource

Portrait of Beatrice Grimshaw Beatrice Grimshaw The Secret of the Stone-Oven Country (1914)

We were both pretty tired, with short sleep, short food, and hard work, but neither of us was anything like done, and I, for one, felt almost brisk when the fresh wind of sunrise sprang up, blowing the ferns and orchids about on the edge of the precipice and sending the spray of the great waterfall flying out into the sun. The Marquis was sleeping just then. I did not wake him, but got up to reconnoiter; this sunrise hour is the clearest of all the day, and one can see the distant peaks and ranges that are invisible once the eight o'clock clouds begin.
Source: Wikisource

Portrait of Beatrice Grimshaw Beatrice Grimshaw The Secret of the Stone-Oven Country (1914)

When we came out on the summit, we saw that the whole countryside was broken away under our feet, and that the nearest thing to us, as we stood up there on the verge of a mighty basalt wall, was the feathery top of a forest so far beneath as to be half blue with distance. And we saw that the whole of this immense rampart, greater than any straight-down drop I had ever seen in my life, was taken at one leap by a river that came down from a ridge above the one we had been climbing.
Source: Wikisource

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