Beatrice Grimshaw

Beatrice Grimshaw

Summary

Portrait of Beatrice Grimshaw Beatrice Grimshaw The Fight at Twelve Fathoms. (1913)

Coral beds, when you see them from the surface on a calm day, are like a garden of flowers below the water. Seen from beneath the ocean itself, they take on the hues of actual jewels: the huge fans and mushrooms and ferns of the reef glow with lights of emerald, sapphire, and amethyst; the sun that falls through the water makes magical fires of gold and green. Fish come gently past the windows of your helmet, hurrying not at all, and look in with their cold eyes as they go by
Source: Wikisource

Portrait of Beatrice Grimshaw Beatrice Grimshaw The Fight at Twelve Fathoms. (1913)

The biggest diver had got one home at last. As I came up he sheathed his knife in the dress of the other and ripped it up; out came a fearful rush of silvery air, and the wretched creature, drowning, kicked and struggled, and snatched wildly at its signal-line, which I now saw had been cut.
The other man drove his hand into the gap in the dress, tore out a small brown object dangling on a string, and jumped backward out of the way of his grasping, struggling victim. In the jump he fell, and instantly the water vibrated to an iron clang that struck my helmet like a shot.
Source: Wikisource

Portrait of Beatrice Grimshaw Beatrice Grimshaw The Fight at Twelve Fathoms. (1913)

In a pearling fleet the minds of men run exclusively on pearls, and nobody, so far as I knew, had said anything about diamonds at any time. The acute little Greek had somehow sensed the existence of a small and precious valuable in which we were interested; he had shadowed the Papuan to try and find out what he could, and, being baffled, had taken service on the Gertrude for the sole purpose (or so I judged) of following Mo's brother beneath the water and robbing him, there where no man was likely to see or interfere.
Source: Wikisource

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