Summary

Portrait of Frederick O'Brien Frederick O'Brien White Shadows in the South Seas

With what delight I returned to lazy days in Atuona Valley, lounging on the black paepae of my own small blue cabin in the shadow of Temiteu, idling on the sun-warm sands of the familiar beach, walking the remembered road between banana hedges heavy with yellowing fruit! The heart of man puts down roots wherever it rests; it is perhaps this sense of home that gives the zest to wandering, for new experiences gain their value from contrast with the old, and one must have felt the bondage, however light, of emotion and habit before he can know the joy of freedom from it.
Source: Gutenberg

Portrait of Frederick O'Brien Frederick O'Brien White Shadows in the South Seas

Nine miles in length is Typee, from a glorious cataract that leaps over the dark buttress wall where the mountain bounds the valley, to the blazing beach. And in all this extent of marvelously rich land, the one-time fondly cherished abode of the most valiant clan of the Marquesas, of thousands of men and women whose bodies were as beautiful as the models for the statues the Greeks made, whose hearts were generous, and whose minds were eager to learn all good things, there are now this wretched dozen too old or listless to gather their own food.
Source: Gutenberg

Portrait of Frederick O'Brien Frederick O'Brien White Shadows in the South Seas

Seventh Man Who Is So Angry He Wallows In The Mire. A laughing Juno of thirty years, large and rounded as a breadfruit-tree, more than six feet in height, with a mass of blue-black hair and teeth that flashed white as a fresh-opened cocoanut, she rose from her mat on the paepae and rubbed my nose ceremoniously with hers. Clothed in a necklace of false pearls and a brilliantly scarlet loincloth, she was truly a barbaric figure, yet in her eye I beheld that instant preoccupation with household matters that greets the unexpected guest the world over.
Source: Gutenberg

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