“ I know I behaved like a perfect horror,” said Nesta.“You say that!” cried Flossie. There was a queer look in her black eyes. She fully expected that Nesta would make a scene and get, in short, into one of her celebrated tantrums; but Nesta’s eyes kept on being sorry, and Penelope said:“Oh, don’t let’s talk about disagreeables. If we are all happy in our own way, why should we nag and jar at one another? Do come into the house, Mrs Griffiths, and have some tea, and if father is anywhere round I’ll ask him to have a chat with you. ”
Nesta
Definition and stakes
The literary concept of "Nesta" encompasses a character archetype often depicted as a young woman grappling with emotional and ethical dilemmas. Across a range of authors, from Seneca to L. T. Meade, Nesta appears as a figure of fragility and strength, whether in domestic conflicts, tragic outcomes, or symbolic roles. In Meade’s A Bevy of Girls, she represents youthful resistance and compassion, while Margaret Pedler’s story associates her with themes of impulsiveness and ethical duty.
Although names such as "Nestor" or "Nessus" appear in classical works, the emphasis here is on Nesta’s unique literary role, illustrating universal human challenges through different cultural and historical settings. This convergence highlights Nesta as a complex emblem of emotional authenticity and narrative tension.
Quotes about “Nesta”
“ What in the name of wonder have I to do with it?”“I was going in quite another direction, and I heard you ask for a ticket to Souchester, and I thought I’d come too, and I got into the same carriage with you because I thought you looked kind and—and respectable. I’ve got some money,” continued Nesta, speaking with sudden dignity. “I’m not a beggar, but I want to go to a very cheap place just to spend the night. Do you know of any place? It won’t do you any harm to tell me if there’s anybody in the village who would give me a bed.” ”
Margaret Pedler,
The House of Dreams-Come-True
“ Apparently since her marriage with me, her sister had gone to Paris, unknown to her, and had taken a situation as dame de compagnie to some Frenchwoman, and Nesta, though she followed from Italy to Paris, failed to find her there. At least that is what Margherita Valdi told me in the letter announcing Nesta’s death. Then she must have lost heart. So you see, morally I am responsible for that poor, reckless child’s death. ”
