A. Hugh Fisher, Through India and Burmah with pen and brush (1911)
“ The outlines were noble but the colour, instead of being the effect of light and air upon masses either of local uniformity or varied by differences as of flowers or vegetation, was by this frequent change in the hue of the earth itself too prismatic for majesty and too trivial for grandeur. A rugged pile of grey rock will receive from the procession of the hours indescribable glories, but a mass of mixed French fondants squashed into the same shape {288} could never capture a tithe of such beauty. ”
