Summary

A. Hugh Fisher Through India and Burmah with pen and brush (1911)

We were going to the famous Golden Temple and approached it by the bazaar of the brass-workers, where, between lines of tall houses, the sky dwindled to a narrow strip of blue. Far down the bazaar, past the Madhogi Hindoo Temple, a crowd of people huddled together were hurrying along, as if with a common object, under blue smoke which veiled them like a filmy gauze. These, Mahmud told me, were a band of pilgrims making a round of the Benares shrines, and I saw many such groups of native people going about with a leader like a Cook's conducted party.
Source: Gutenberg

A. Hugh Fisher Through India and Burmah with pen and brush (1911)

Dismounting from the gharry we walked over the great open space of the Sarai and through the eastern gateway, with its honeycomb vaulted ceiling and soft warm flower decoration on its pink stucco-covered brick-work, to the water channels of the tomb garden, past the central tank and on to the Mausoleum itself, an exquisite low building with four tall minarets, half of white marble and half of the red Agra stone, of which Jehangir was so fond.
Source: Gutenberg

A. Hugh Fisher Through India and Burmah with pen and brush (1911)

Jaipur was stricken by plague: the number of deaths had gone on increasing and the living were thrown into a state of bewilderment. The Rajput princesses had fled in panic to the old palace of Amber and strangers were, for the time, asked not to visit that ancient capital. The dinner-table that evening, spread in the open courtyard of the hotel, became heaped with moths attracted by the lamps and dying through their ardour, and it almost seemed as if some spiritual light were attracting in the same way human souls to leave their bodies tenantless.
Source: Gutenberg

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