Summary

Portrait of May Sinclair May Sinclair A Journal of Impressions in Belgium

But the Belgian Army is retreating, and you are retreating with it. There is nothing else you can do; but that does not make it any better. And this speed of the motor over the flat roads, this speed that cuts the air, driving its furrow so fast that the wind rushes by you like strong water, this speed that so inspired and exalted you when it brought you into Flanders, when it took you to Antwerp and Baerlaere and Lokeren and Melle, this vehement and frightful and relentless speed is the thing that beats you down and tortures you.
Source: Gutenberg

Portrait of May Sinclair May Sinclair A Journal of Impressions in Belgium

Of all the things that can happen to a woman on a field ambulance, the worst is to stay behind. To stay behind with nothing in the world to do but to devise a variety of dreadful deaths for Tom, the chauffeur, and Dr. Bird and Mr. Grierson and Mr. Foster. To know nothing except that Alost is being bombarded and that it is to Alost that they are going.
And the others who have been left behind are hanging about in gloom, disgusted with their fate. Mrs. Torrence and Janet McNeil are beginning to ask themselves what they are here for.
Source: Gutenberg

Portrait of May Sinclair May Sinclair A Journal of Impressions in Belgium

It is not flight, it is the vast, unhasting and unending movement of a people crushed down by grief and weariness, pushed on by its own weight, by the ceaseless impact of its ruin.
This stream is the main stream from Antwerp, swollen by its tributaries. It doesn't seem to matter where it comes from, its strength and volume always seem the same. After the siege of Antwerp it will thicken and flow from some other direction, that is all. And all the streams seem to flow into Ghent and to meet in the Palais des Fêtes.
Source: Gutenberg

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