Summary

Portrait of Mayne Reid Mayne Reid The Land of Fire: A Tale of Adventure

One calm clear morning, with the water of the strait waveless and smooth as a mirror, two of these grand cetaceans are seen swimming along, one in the wake of the other, and so close in shore that they might almost be reached with the boat-hook. As they swim past the spot where the boat-builders are at work, they, from their elevated position, can look down on their spout-holes, and even see them wink! The huge creatures, slowly gliding on, pass under a beech-tree growing by the water’s edge, so near that their heads are almost brushed by its drooping branches.
Source: Gutenberg

Portrait of Mayne Reid Mayne Reid The Land of Fire: A Tale of Adventure

At these grave words, more fear-inspiring from being spoken by Captain Gancy, work is instantly suspended, the boat-builders dropping their tools as though they burned the hands that grasped them.
For some minutes the alarm runs high, all thinking their last hour is at hand. How can they think otherwise, with their eyes bent on those black objects, which, though but as specks in the far distance, grow bigger while they stand gazing at them, and which they know to be canoes full of cruel cannibal savages? For they have no doubt that the approaching natives are the Ailikoleeps.
Source: Gutenberg

Portrait of Mayne Reid Mayne Reid The Land of Fire: A Tale of Adventure

The uprising sun reveals the landscape in a changed aspect, quite different from that seen at its setting, and even more surprisingly picturesque. The snowy mantle of Mount Darwin is no longer pure white, but of hues more attractive—a commingling of rose and gold; while the icicled cliffs on the opposite side of the cove, with the façades of glaciers, show every tint of blue from pale sky to deep beryl, darkening to indigo and purple in the deep sea-water at their bases. It is, or might be called, the iridescence of a land with rocks all opals, and trees all evergreens
Source: Gutenberg

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