Summary

Melvin G. Winstock "A Modern Hercules," The Tale of a Sculptress… (1899)

Wayland was about to go, having heard all that he desired, but Doane restrained him, and he reluctantly was almost forced to listen to a style of gossip which, in his opinion, was good enough for the sewing circle, but little fitted for intelligent men.
"Ouida," said Doane, "was more than intimate with Demas, known to you all by reputation. But she fooled him, as she has every man who has thus far been lured into the magic circle of her regard.
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Melvin G. Winstock "A Modern Hercules," The Tale of a Sculptress… (1899)

The power of art dowered her with wondrous victories. One or two conceptions a year brought her a fortune. She became rich enough to gratify every whim. She came here three years ago, having lost none of her Bohemian characteristics. Society has opened its arms; as you see, it worships her."
Paul breaks away from Ouida, and confronts Doane, anger and contempt leaping from his eyes.
Source: Wikisource

Melvin G. Winstock "A Modern Hercules," The Tale of a Sculptress… (1899)

I missed a train a few days ago by depending on the accuracy of my own journal."
"But what do you think of the idea?" queried Connors.
"In these days," said Wayland, "when managers are crazy for a new idea, it seems to me that a clever stage story of Jean Valjean would make a certain hit."
"You might as well try to dramatize the clouds, the great rugged mountain peaks," said Doane, scornfully, "as anything Victor Hugo wrote. No man under forty can grasp the real philosophy of Hugo. How, then, can the unintelligent masses hope to comprehend him?
Source: Wikisource

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