“ He did not want the grandeur, he did not envy the power which they had possessed; but he wished that, like them, he could own the Edera from its rise in the hills to its fall into the sea. "Oh, dear river!" he sang to it tenderly, "I love you. I love you as the dragon-flies do, as the wagtails do, as the water voles do; I am you and you are me. When I lean over you and smile, you smile back to me. You are beautiful in the night and the morning, when you mirror the moon and play with the sunbeams, when you are angry under the wind, and when you are at peace in the heat of the noon. ”
Ouida
Definition and stakes
Ouida, a pseudonym used by the 19th-century British writer Maria Louise Riddell, is a literary figure closely associated with themes of nature, moral strength, and human bonds. Her works, such as The Waters of Edera and Folle-Farine, combine poetic depictions of the natural world with reflective examinations of love and selflessness, as illustrated in her affectionate address to a river: “I love you as the dragon-flies do…
I am you and you are me.” Writers such as Melvin G. Winstock and Agnes Repplier portrayed her as an ethical guide, emphasizing her charitable efforts and impact on her audience, while Dorothy M. Richardson observed the debated nature of her literary reputation. These viewpoints together highlight Ouida’s lasting significance as a link between individual feeling and broader societal contemplation.
Quotes about “Ouida”
Melvin G. Winstock, "A Modern Hercules," the Tale of a Sculptress
“ And what of Ouida? Her life and pursuit were equally as noble. She had become a woman whose only object in life was to prevent others from falling into the sad sin which had darkened her life. The sensational newspapers had laughed at her for a while, but she bravely persisted, and ridicule was soon transformed into respect and admiration. Several times in the course of their philanthropic work they met, but no thought had come to them concerning a renewal of their former relations, and each, from afar, by magnetic sympathy sustained the other in this newer and nobler life. ”
Melvin G. Winstock, "A Modern Hercules," The Tale of a Sculptress… (1899)
“ Nor could he fail to be deeply impressed with her simple dignity. "Listen, woman, I care not whose heart I break, you love me! Deny it if you can!" "If I did, what would be the difference?" said Ouida. "I have sworn to wed him. I led him on. He did not dream of me, until I made him drunk with the promise of my life. He has done no wrong. I must bear the grief." ”
