Summary

Portrait of Ouida Ouida Bébée; Or, Two Little Wooden Shoes

Bébée was very pretty.
No one in all Brabant ever denied that. To look at her it seemed as if she had so lived among the flowers that she had grown like them, and only looked a bigger blossom—that was all.
She wore two little wooden shoes and a little cotton cap, and a gray kirtle—linen in summer, serge in winter; but the little feet in the shoes were like rose leaves, and the cap was as white as a lily, and the gray kirtle was like the bark of the bough that the apple-blossom parts, and peeps out of, to blush in the sun.
Source: Gutenberg

Portrait of Ouida Ouida Bébée; Or, Two Little Wooden Shoes

We may have cried our hearts out; we must have ready the pipe and the socks, or, 'Is that what you call love?' they grumble. You want mortal patience if you love a man,—it is like a fretful child that thumps you when your breast is bare to it. Still, be you patient, dear, just as I am, just as I am."
And Bébée would shudder as she swept the cobwebs from the garret walls,—patient as she was, she who had sat here fifty years watching for a dead man and for a wrecked ship.
Source: Gutenberg

Portrait of Ouida Ouida Bébée; Or, Two Little Wooden Shoes

He rose and left his easel and threw himself at her feet on the grass; he took the little wooden shoes in his hands as reverently as he would have taken the broidered shoes of a duchess; he looked up at her with tender, smiling eyes.
"Poor little Bébée!" he said again. "Did I frighten you indeed? Nay, that was very base of me. We will not spoil our summer holiday. There is no such thing as a fiend, my dear. There are only men—such as I am. Say the daisy spell over for me, Bébée. See if I do not love you a little, just as you love your flowers."
Source: Gutenberg

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