Meredith Nicholson

Meredith Nicholson

Summary

Portrait of Meredith Nicholson Meredith Nicholson The Madness of May

On a high ridge some distance away and etched against the stars was a long, low house.
“Splendid type of bungalow,” Hood commented, throwing his legs over the wall. “I’m glad you have an eye for nice effects—the roof makes a pretty line against the stars, and those pines beyond add a touch—a distinct touch. Bungalows should always be planned with a view to night effects; too bad architects don’t always consider little points like that.”
Deering growled angrily. Suddenly as his eyes gazed over the long, sloping meadow that rose to the house he started and laid his hand on Hood’s knee.
Source: Gutenberg

Portrait of Meredith Nicholson Meredith Nicholson The Madness of May

Beyond the bungalow rose a dark strip of woodland, and suddenly, as Deering’s eyes caught sight of it, he became aware that the moon, which had not appeared before that night, seemed to be lingering cosily among the trees. Even a victim of May madness hardly sees moons where they do not exist, but to all intents and purpose this was a moon, a large round moon, on its way down the horizon in the orderly fashion of elderly moons.
Source: Gutenberg

Portrait of Meredith Nicholson Meredith Nicholson The Madness of May

Only a brown-eyed girl would have hung a moon in a tree! Brown eyes are immensely eloquent of all manner of pleasant things—such as mischief, mirth, and dreams. 137 Moreover, brown eyes are so highly sensitized that they receive and transmit messages in the most secret of ciphers, and yet always with circumspection. He was perfectly satisfied with Pierrette’s eyes and relieved that they were not blue, for blue eyes may be cold, and the finest of black eyes are sometimes dull. Gray eyes alone—misty, fathomless gray eyes—share imagination with brown ones.
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature