Summary

Portrait of Michel de Montaigne Michel de Montaigne The Essays of Montaigne — Chapter XXXVI. Of Cato the Younger… (1877)

The fury that possesses him who is
able to penetrate into it wounds yet a third man by hearing him repeat
it; like a loadstone that not only attracts the needle, but also infuses
into it the virtue to attract others. And it is more evidently manifest
in our theatres, that the sacred inspiration of the Muses, having first
stirred up the poet to anger, sorrow, hatred, and out of himself, to
whatever they will, does moreover by the poet possess the actor, and by
the actor consecutively all the spectators. So much do our passions hang
and depend upon one another.
Source: Wikisource

Portrait of Michel de Montaigne Michel de Montaigne The Essays of Montaigne — Chapter XXXVI. Of Cato the Younger… (1877)

There are no longer virtuous actions
extant; those actions that carry a show of virtue have yet nothing of its
essence; by reason that profit, glory, fear, custom, and other suchlike
foreign causes, put us on the way to produce them. Our justice also,
valour, courtesy, may be called so too, in respect to others and
according to the face they appear with to the public; but in the doer it
can by no means be virtue, because there is another end proposed, another
moving cause. Now virtue owns nothing to be hers, but what is done by
herself and for herself alone.
Source: Wikisource

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