Summary

Portrait of Mrs. Humphry Ward Mrs. Humphry Ward Sir George Tressady — Volume I

Lady Tressady was sitting upright on the straight-backed sofa of George's smoking-room. George, who was walking up and down the room, thought, with discomfort, as he glanced at her from time to time, that she looked curiously old and dishevelled. She had thrown a piece of white lace round her head, in place of the more elaborate preparation for the world's gaze that she was wont to make. Her dress—a study in purples—had been a marvel, but was now old, and even tattered; the ruffles at her wrist were tumbled; and the pencilling under her still fine eyes had been neglected.
Source: Gutenberg

Portrait of Mrs. Humphry Ward Mrs. Humphry Ward Sir George Tressady — Volume I

How differently you talk when you talk of India!"
"I wonder what that means," said George, smiling. "It means, at any rate, that when I am not talking of India, but of English labour, or the poor, you think I talk like a brute."
"I shouldn't put it like that," she said quietly. "But when you talk of India, and people like the Lawrences or Lord Dalhousie, then it is that one sees what you really admire—what stirs you—what makes you feel."
"Well, ought I not to feel? Is there to be no gratitude towards the people that have made one's country?"
Source: Gutenberg

Portrait of Mrs. Humphry Ward Mrs. Humphry Ward Sir George Tressady — Volume I

The equal comradeship of marriage at its best and finest, all the daily disciplines, the profound and painless lessons of love, the covetous bliss of parentage, the constant anxieties of power nobly understood, had harmonised the stormy nature of the woman, and had transformed the somewhat pessimist and scrupulous character of the man. Not that life with Marcella Maxwell was always easy. Now as ever she remained on the moral side a creature of strain and effort, tormented by ideals not to be realised, and eager to drive herself and others in a breathless pursuit of them.
Source: Gutenberg

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