Summary

Portrait of Mór Jókai Mór Jókai The Poor Plutocrats

This black mask shall not always cover my face; when I come to see you, my name shall not always be Fatia Negra. The day will come when a carriage and four shall drive into your courtyard, a sabre-tashed heyduke will then leap from the box and open the silver-plated coach and a cavalier in cloth of gold will step out who comes to you as a suitor. If you see this ring on his finger you will know that it is I, and there will no longer be a Fatia Negra in the wide world. We will go together to Bucharest, a true Roumanian city, where folks will respect us and then our happy days will begin.
Source: Gutenberg

Portrait of Mór Jókai Mór Jókai The Poor Plutocrats

Perchance he is walking along there behind the bride in an invisible mantle and only when he throws it off, then only and not till then will the people see him.
Anicza screams aloud—perhaps with joy! Everyone is thunderstruck; they imagine their leader must be in league with the devil himself, for he comes up from out of the earth!
And with what splendour does he ascend! The purple robe that he wears is scarce discernible for gold lace; a long embroidered mantle, like the mantle of a prince, floats down from his shoulders and on his head he wears a golden helmet from which the mask depends.
Source: Gutenberg

Portrait of Mór Jókai Mór Jókai The Poor Plutocrats

But Anicza gratefully kissed Fatia Negra's hand like a child who has received a gift, not indeed for the ducat, but for the boundless confidence he had shown in giving it to her, which was the surest token of his love. Then she drew forth a little Turkish dagger, bored a hole with it through the ducat and fastened it to a little piece of thin black cord by the side of her little crucifix which she wore upon her bosom—and hid both of them away again.
"Well Domnule," remarked Onucz sulkily, "since we have placed our heads in the girl's hands we must beware of ever offending her."
Source: Gutenberg

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